Works

2025

Grama/Loka – for 10 Bassoons and Electric Guitar:

Grama/Loka was first performed as part of the Bassoon Showcase at the Royal College of Music on 28th March 2025.

Duration: 7 minutes 30 seconds

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Grama/Loka is inspired by the words of composer and philosopher Dane Rudhyar, who describes the ancient Indian concept of “Grama” as both a musical and societal microcosm-an interconnected system where each element plays a vital role, forming a unified whole. In this work, the electric guitar represents “Loka” (the broader world) – tuned to the natural harmonic series of D, evoking the organic and fluid nature of cosmic order. 

The bassoons emerge from the guitar’s resonances, each group introduced through various open-string patterns. These textures mirror the dynamic relationships within a village (“grama”), where diverse elements circulate and interact as a living system: a vibratory web of energies.

Treasures in a labyrinth (for explore ensemble)

Instrumentation: Bass Flute, Bass Clarinet, Violin, Viola, Cello .
Duration: c.8:30 – 11:00
Performed on 12th March at Royal College of Music.

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Treasures in a Labyrinth draws inspiration from the famous board game, transforming its dynamic interplay into a sonic journey through an ever-shifting maze. Four players embark on a journey to uncover six separate treasures, navigating an unstable landscape where pathways transform with each step. The Bass Flautist acts as the guardian spirit of the maze, embodying the treasures themselves with various multiphonics which shift as players claim their rewards. Positioned at the centre, the flautist becomes the axis of the labyrinth, the players’ destination, yet also the force that controls their journey. The flautist dictates when paths begin, and once a treasure is found, a moment of unison occurs before the next search begins. Over time, the players begin to mirror the flautist’s timbres, dissolving the boundary between seeker and sought while rhythmic units and tempos accelerate as players grow familiar with the labyrinth. A space of uncertainty, change, and choice. A labyrinth’s pathways, like life’s decisions, shift with every step, reflecting the impermanence of direction, yet embracing transformation.

Honey Trapping (for chamber ensemble)

Duration: c. 4:45 Seconds 

Written for the Masters Conducting Auditions at Royal College of Music on 19th February

honeytrap

noun

1. Any type of trap (typically for catching insects) that uses honey as bait.

2. Originally and chiefly British. Originally in espionage, now esp. in Journalism: a strategem in which an attractive person entices another into revealing information, etc.; a person employing such a stratagem; (also more broadly) any strategem in which an enticement is used to entrap a person in some way.

Definitions from Oxford English Dictionary

Chair-o-planes – for bowed electric guitar. 

Completed on 22nd January 2025

Chair-o-Planes is inspired by the mesmerising world of the famous fairground ride. There was always an awe as a child going to local fairgrounds; they always seemed to have a magical atmosphere to them and a sense of expansiveness. Nostalgically, I wanted to create an ethereal soundscape evoking this child-like awe with the dizzying exhilaration of floating above the ground. The spinning of the chair-o planes is reflected in the layers of resonance, mirroring the sensation of weightlessness and timelessness felt on this ride.

2024 

Stiched in Sound: A Collective Sonic Tapestry (12th December, 2024)

An immersive performance of music, sculpture, visuals, and dance which premiered in the Belle Shankman Studio at the Royal College of Music on 12th December, 2024)

Listopad: Sequence 8164

Released October 18th 2024.

Created in the collaboration between the artist Niko Raic and the RCM Electronica Society, in response to Nikos painting Listopad: Sequence 8164.

Composers note: “I thought Niko’s painting evoked such an explosive energy: a glittering, shimmering feeling as if pandoras box has been opened with feelings, souls and waves gushing out. To evoke the interwoven notion of the brushstrokes, I experimented with guitar feedback and distortion as a way of contaminating auditory spheres. Interwoven lines of feedback increase in harmonic intensity creating a free, liberated atmosphere.”

Artist Review (in response to Listopad Painting): “I am amazed by how Tom paralleled the painterly notions, heard the brushstrokes into his compositional process. … The gradual harmonic intensification creates a very ‘free, liberated atmosphere, I think it works incredibly with the painting. Wow!” (Niko Raic on the musical response to his painting Listopad: Sequence 8164.)

Credits:
Produced by: Tom Bradbury
Mixed by: Tom Bradbury
Mastered by: Pierre Catherine-Buffet

Extinction (for chamber orchestra).

Extinction was first performed at Blackheath Halls as part of my Composition Final at Trinity Laban Conservatoire of Music and Dance, conducted by Jacy de Sousa on 4th June 2024.

Duration: ca. 30 minutes

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In my work, I like to highlight socio-economic and political issues that are pressing in society: and for me there is no more profound call to action than the dwindling numbers of wildlife on our planet. This work focuses on specific endangered species from Brazil’s most threatened biome: The Atlantic Forest. With 90% of its original forest extension having been destroyed due to human intervention, ‘this level of deforestation has cut the level of species living at specific sites by an average of more than 70%, leading to more species becoming threatened’.

This work explores the perilous dynamic between man and nature, from a vibrant rainforest teeming with life in the first movement, to the subsequent interplay between man and species following the intrusive human invasion represented by the String Quintet in the Second Movement. It ends with a mournful lament as the animals’ cries fade to nothingness…a call to action to safeguard our planet’s rich tapestry of life before it’s too late.

Many thanks to the following Ecologists whose recordings I’ve been inspired by:

Melissa Pons, Charles W.Snowdon, Henry Miller Alexandre, Caio Brito, Ronald I.Crombie, Gabriel Leite.

2023

Zany Zig Zag Zest – for symphonic winds

Performed at Blackheath Halls by Trinity Laban Symphonic Winds, conducted by Andrew Dunn in December 2023.

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Programme Notes:

zany

zeɪni/

a d j e c t i v e

amusingly unconventional and idiosyncratic.

 

zigzag

zɪɡzaɡ/

n o u n

a line of course having abrupt alternate right and left turns.

 

zest

/zɛst/

 

n o u n

  1. great enthusiasm and energy.
  2. the outer coloured part of the peel of citrus fruit, used as flavouring.

D e f i n i t i o n s f r o m O x f o rd L a n g u a g e s

Siblings – for mixed ensemble and childhood footage.

 Performed on 14th December at Trinity Laban Conservatoire of Music and Dance as part of the Rude Health Festival.

The Hunt – for orchestra

The Hunt was recorded at Blackheath Halls as part of the New Music Recording Sessions conducted by Gregory Rose on 19th May 2023.

Duration: 5 minutes 18 seconds

This piece is a condemnation of fox hunting, criticising a practice that is both cruel and unnecessary. It has long been controversial for its cruelty to animals: despite being illegal in the UK, many rural communities still condone it. The piece is designed to evoke a range of emotions, from the thrill of the chase to the horror of the kill. The piece challenges listeners to reconsider their attitudes towards the natural world and the animals that inhabit it. It is a reminder that all creatures, great and small, deserve our respect and protection.

Review: ‘’A strong orchestral work which uses a range of styles. … There is an awareness of timbre and instrumental blend with a strong sense of foreground and background. … There is a strong sense of drama and structural coherence”.

Dominic Murcott, Deirdre Gribben on The Hunt – for orchestra (June 2023)

Intricacies of the Mind – for solo cello

Intricacies of the Mind came about due to my interest in psychology and the human brain.
The piece delves deep into the complex world of Obsessive-Compulsive Disorder. Around 750,000 people in the UK have this mental illness which causes them repeated unwanted thoughts or obsessions. Split into two movements, this piece aims to explore the two brain processes associated with this condition: Obsessions and Compulsions.

Completed April 2023, recorded by Ed Pendrous. 

Review:

 ”This work is individual and has a clear sense of attack and release… Harmonic language is caried and beautifully unfolded over the span of the full melodic line from beginning to end without releasing tension which is an achievement.”

Dominic Murcott and Deirdre Gribben on Intricacies of the Mind (for solo cello). (June 2023)

Snowdon – for Modern House Magazine

This piece, inspired by a sonic journey, was commissioned by the Modern House magazine. I chose to write a piece inspired by a post lockdown hike up and down the escarpments of Mount Snowdon in 2020. The composition, simply titled Snowdon reflected my new experimental explorations of ambient music – particularly the shimmering reverberations, pulsing energy and atmospheric timbres of the kind Brian Eno propelled In the late 1970s and ‘80s. A piece like Ambient 1: Music for Airports somehow accentuates the entire environment around you which I wanted to reflect in this piece. I tried to represent a feeling of reaching the apex, being surrounded by nothing but the Earths expansive atmosphere. At the top of Mount Snowdon you’re enveloped by horizon, mist, wind and nothing else. The feeling is vast. 

Review:

 “Tom’s submission to our brief was breathtaking, his concept bold. … “There is a breadth and depth to this sound that conveys a soaring summit sublimely, in the Romantic sense: emotion, nature, overwhelming beauty.”

Grace McCloud on Snowdon as part of Issue no.6 of Modern House Magazine. (May 2023) 

Intergenerational Traffic

A co-created project with choreographers Xavier Williams and Timothy Turner (USC Glorya Kaufman School of Dance). A cross-arts work combining sound, nature, movement, and urban environments.

An intergenerational depiction of our relationship with the unknown world. Interjecting traffic soundscapes, against sounds of nature. Incorporating movement that physicalises opposition in musicality and journey from youth and beyond.

2022

Agitation – for bowed electric Guitar

 

Completed May 2022

Fractured – for bowed Electric Guitar and Bass Guitar

Completed May 2022.

The inspiration of this piece came from trying to depict Dementia as a mental illness musically. I find in a lot of Shoegaze music such as My Bloody Valentine, Slowdive and Sigur Ros (which heavily inspired this piece), that while it is melodically and harmonically very beautiful, the distortion, reverb and various effects distort the beauty. This creates a fracturing quality. It is as if something beautiful that was once there is broken and fractured, in this case the human mind with dementia.

It’s Kind of a Funny Story 

As part of the Darryl Runswick competition final performed on the 25th March at Peckham Asylum 2022.

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Programme Notes: 

The title of this piece refers to the book by Ned Vizzini about a teenager named Craig who suffers from depression and has suicidal thoughts. These suicidal thoughts lead him to check into a mental hospital where he stays for five days under surveillence. Along the way he meets patients who suffer from similar mental illnesses who help eachother get through the pain. After the 5 days he leaves and becomes a lot more hopeful to be alive, as described in the book he finds an ‘anchor’ (a constant or something to latch onto), in this case his love for drawing. In this piece I aim to present through music the way 3 characters in the book express their mental illness in different ways in a Theme and Variations format. In the 4th section there is a release of tension with all the previous themes coming together encompassing a hopeful ending.

Mental illnesses amongst young people is a common and serious issue today which I feel very passionate about. Approximatley 20% of teens will experience depression before they reach adulthood. I wanted to reflect the underlying optimism portrayed in the book towards the end of my piece symbolizing that through helping one another, patients of mental ilnesses can be cured and have a more positive outlook on life.

Details of the three characters in order in the piece:

Craig Gilner: Craig suffers from suicidal thoughs and depression. He is very insular, withdrawn and observant to those around him in the mental hospital. He frequently goes into a spiralling cycle of anxious thoughts in the future. If he doesn’t go to this summer application he feels his whole life will be ruined. To him it’ll mean that he won’t be able to get a good job and then won’t be able to have a good lifestyle, which will then lead to ending up in a mental hospital his whole life.

With Craig each anxious thought leads to other anxious thoughts leading to him over-worrying about the future.

Bobby: Bobby is a big presence and a dark comedic who seems calm and collected at first to Craig but when Bobby’ has a burst of anger after feeling like he’s screwed up an interview, it brings into focus again the seriousness of his mental illness. Even when someone looks calm and collected, there might be deeper emotions bubbling under the surface. The way Bobby shows his anxiety is externally through outbursts of anger; angry thoughts ready to explode when he’s not happy with himself.

Noelle: Noelle is a self-harmer who disfigures her face with scissors because she doesn’t want to be sexually abused or assaulted by anyone. She wishes not to be beautiful so men won’t violate her. This is a fear of many woman around the world in some countries more than others. Furthermore, she finds lots of expectations of her overwhelming which causes her to self -harm as if she is wearing her depression. In the book Criag and Noelle fall in love and find comfort through being with eachother, not hiding who they are as they help eachother to recover without feeling judged.

The novel was inspired by Vizzinis own experiences during his hospitalisation for depression in November 2004. Unfortunatley, Vizzini died of suicide on 19th December, 2013. Therefore, this composition as well depicting mental illness and the triumph of overcoming it, is an ode to Vizzini himself. As this book has felt very important to me as it not only increases awareness of teenage mental health but sends an important message: that anyone can undergoe a transformation to beat mental illness which should be celebrated.

“He who is not busy being born is busy dying” – Bob Dylan – Vizzini references this quote is in the book and is also used in the film adaptation.

2021

Utterations of Anxiety – for Bass Clarinet, String Quartet and Double Bass. 

Performed at Rude Health Festival at Trinity Laban Conservatoire of

Music and Dance (December 2021)

Programme Notes:

This piece is based on the intensity and madness of modern communication. Many people are increasingly feeling overwhelmed by the constant bombardment of social media platforms and mobile phone messaging in their daily lives. The need to project a glossy, perfect image of one’s self and their life is a constant, draining and potentially harmful pressure in today’s world that can cause much anxiety. While social media and online communication does have its benefits, for example, ease of communication, increased political awareness and engagement, it is a presence that can feel overwhelming. Have you ever compared yourself to others online, or feel overwhelmed from text messages, or felt pressure to reply immediately to a message when you really dont have the time? All these pressures have an impact on one’s self-esteem. People get stuck in their heads. They question their self worth, they crave validation and reassurance. It’s like we’re susceptible to voices and ‘utterances’ in our head that we find difficult to control as we descend into an overwhelming spiral of self doubt. This piece attempts to address these issues. The chaotic nature of the music will hopefully reflect this anxiety, allowing the audience to contemplate and question the role of modern communication in our lives.

Many thanks to the wonderful players who brought this piece to life:

Bass Clarinet – Alex Lyonn 

Violin 1 – Congling Wu 

Violin 2 – Miriam Pancheva 

Viola – Andrew Liddell

Cello – Irina Korolevskaia 

Double Bass – Sam Pugh

 

The Light ahead of the Tunnel – 2021 (For Piano, Violin, Flute and Vibraphone)

Completed May 2021